Lovely Ensemble Today!

I stepped in as a guest instructor at Theatre Direct’s Drama School this afternoon. We did an intro-to-improv session (making and accepting offers, who/what/where) during the Ensemble class. This is a group of experience students, aged 7 to 11 who have done some drama before.

While I love the challenge of working within a classroom situation, where there is  a variety of comfort levles and dramatic experience, I have to admit that it’s so lovely to work with a group whose members have all chosen Drama! This group (all girls) reminded me of a group I worked with recently at Classic Music Conservatory on Roncesvalles with Kyra Millan.

I’m excited to be working with this Theatre Direct group again next week – improvised storytelling, can’t wait!!

JumpStart Workshops – Grade 7s

I’m back at Forest Glen PS in New Hamburg this week, working with their grade 7s. It’s the third year I’ve been in for this program and I have such a wonderful time at the school. Mostly, the staff is super-welcoming and really willing to learn and share.

For example, I had a grade 5 teacher stop me in the hall this morning, before classes “I’d love to chat with you about math tableaux” she said. How cool is that?

Also, I’m staying at such a nice place in Kitchener that I’ve gotta give it a plug: The Frederick Street Inn is wonderful to stay at: comfort, kindness, a delicious hot breakfast every day. I like getting a bit of a vacation feel when I`m away on business!

Professional Development Updates

Busy, busy, busy and travel, travel, travel.

Recent weeks have seen me working for the Elementary Teachers Federation of Waterloo Region, Laurentian University School of Education, Drama class in Sudbury Secondary School, and in the Canadian Opera Company’s Four Seasons Centre Opera House. Whew!

Teachers can be either the best or the worst workshop participants, and the ones I met at the ETFO workshop were fantastic! Primary teachers who were bravely trying new drama techniques and laughing with each other all the way. The second full day of ETFO workshops was with junior-intermediate teachers and I was so impressed with their passion for getting drama learning into their classrooms.

They asked about how to turn ‘fun drama games’ into tangible, markable  parts of their curriculum. They asked about how to have meaningful drama time without wasting the whole session doing desk-moving and room set-up. They asked about how to include social justice discussions, literacy connections, and even math reinforcements into drama lessons.

We discussed these issues and so much more! And shared resources, showing that all of us teachers have loads of great ideas stored which can be so useful to our colleagues. Even sharing our tried (tired?) ideas with others gives new life to our programming. What an inspirational session!

Thanks to all participants at Forest Glen in the Waterloo Region.

New School Year!

Okay, so loads of things have been happening with me over the past few months…sorry for the online absence, but here’s the news:

1) I have a new job! I’m now the Education Manager at  Theatre Direct. I am so excited to be representing the work of a company who really, truly is doing amazingly inspired and challenging theatre for young audience. And, a bit selfishly I must admit (see pt.3), I am very excited about our Early Years initiatives that we’re starting off. I really like the people I get to work with every day and love, love, love the work we do. Check out our upcoming season!

2) I’m a board member! PAONE (Professional Arts Organizations Newtork for Education) has  finally become official – we’re incorporated and are already part of some exciting new projects and conferences in the Arts-Ed world.

3) I’m gonna be a mom! Yup, the due date is Feb 16, mark your calendars for the arrival of the world’s newest future summer camper and theatre-goer! Very excited and in need of some new pants :)

Summer News

So much has happened this summer and I’ve been outside, not in at the computer blogging or tweeting about it. Oh, so sorry.

But the summer has been great so far:

Camp Trainings – I was fortunate to make it out to three camps for training sessions this summer. Kettleby Valley is always fun – great, and really thoughful staff. My favourite part of that workshop is getting them to feed and endow Good and Poor leadership on the leader; they make me feel so sad then so awesome. The power of supporting our peers… At Theatre Direct we kicked off their summer camp season with a PLAY session, loads of games and mindshifting, and we even invented a new game!…I went out to Pleasant Bay Camp for the first time this year – what en enthusiastic and experienced staff. We did a PLAY session, totally rocketing through games since they knew so many already, but I stumped them on a few Never-Can-Tells.

Then I took to leading campers on my own at LKTYP’s Summer Session of the Drama School.  Over the two weeks, we had fun (despite the heat!) and created a hilarious show showcasing the Dreams that some of the students dreamed up. Very silly and a great showcase for group movement, mini-monologues, loads of cooperative play, and some props we made in the prop shop. Great session!!

Then I was off to spend time lakeside for a couple of weeks with Luke’s family up near Kingston and then Tremblant. Lovely family times!

And now back to work!!

Feedback from King Edward – Staff Members

“I have not been confident about drama but now we are using it in culminating tasks which is Social Studies, Science, and Drama. Thanks!” ~S.Unruh, Grade 2/3 Teacher

“Jessi Linn is so calm and patient and spontaneous; she seems to assess a class and situation in an instant.” ~ S. Unruh, Grade 2/3 Teacher

“Some very quiet students were surprisingly very engaged given them a “shining” social moment” ~N. Belisle, Grade 7/8 French Immersion Teacher

“I laughed a lot and saw a different side to many students; it’s great to be able just to watch. Thank you!” ~N. Belisle, Grade 7/8 French Immersion Teacher

“I loved the way [Jessi Linn] grabbed the class’ attention and held it for a full hour (no small feat). ” ~ J.Gelntis, Grade 1/2 Teacher

“Jessi Linn did a great job creating a safe and inclusive environment that made the students want to get involved.” ~A. Platek, Grade 7  Teacher

“Jessi Linn is creative, imaginative and relates really well to students…I was most surprised at the level of co-0peration that that developed over the program. The class was a real challenge to deal with but Jessi Linn was beginning to have a very positive effect.” ~C.Henderson, Grade 8 Teacher

In LOVE with my Big Kids Class

I say this every time when I finish teaching a new session of the Bad Dog Theatre’s “Big Kids” Youth Class, but this past session was the BEST EVER!!

What a lovely group of kids! And, well, I have to take some of the credit for the class working out really well. It’s a bit of a realization for me to be working really well with younger kids. Having trained as a high school teacher, I had always felt that there was a bit too much unbridled enthusiasm from the younger set, but this group has proven me wrong.

I’ll probably write more about these amazing kids, and the huge fun we had (check out this game we invented) but for now, I’ll just share one of the ways this gift keeps on giving.

For his recent birthday party, one of my students gave out, for his treat bags, a notebook to each of his friends with the following written inside:

“Improv is a way of quickening your imagination. It helps you think fast. It helps you see how far imagination can take you and you might even discover new imagination forms that you didn’t know you could imagine. It helps you get your energy up. Fears will show up but you will learn how to overtake them.”

What a wonderful newly 9-year-old.

Comedy Night at the Opera

Last weekend, May 28-29, 2010, Kyra Millan and I performed the world premiere of our production: Comedy Night at the Opera. A mix between a legit concert and a comedy show, the audience was treated to beautiful arias, and a few chuckles, too. We are so proud of the show we brought into the world!

We performed at the Red Top Motor Inn (stay there on your next trip up to “The Soo”, the food is delicious, the proprietors delightful!) to much laughter and applause from the audience. Brava to us!

Check out the news release: here.

Drama Games Database

I’ve started putting my game ideas down, not on paper, but in an easy-to-access file. It works if you know what you’re looking for…I visit this database to find the perfect drama game or warmup when working with a specific group. It’s also good for when I need to refresh my memory about “character games” or “large group games”.

Check it out!

People For Education Annual Report

The People for Education have released their report for this year. Among other calls, it declares that schools should become more of a ‘community hub’.
I was disappointed to see that there were no research results shown for Dramatic Arts (just for Music and Visual Art…no Dance, either); I was encouraged, though, that they identified the need for arts specialists in schools and the lack of funding to help these specialists get there.
Also identified was the fact that “students’ access to rich arts programs often depends on the ability of their parents to fundraise, or, in secondary school, the flexibility of students’ schedules and their capacity to pay fees.” (p22, “Annual Report on Ontario’s Publicly Funded Schools 2010.” People for Education)
I have seen this trend myself…while there are some targeted programs (school board subsidy for specifically identified schools) there is no consistent method for ensuring that schools who waver between being needy and not-needy-enough have guaranteed access to arts funding, thus programming. As an arts specialist, it’s important for me to build relationships with the schools (and the organizations I work with) to ensure that there is continuity in their arts programming as well, that the arts are not seen as one-offs, as something outside of their learning but as something that is important to the school community.
Take a read and let me know what you think!

King Edward PS Residency: Half way There!

I’ve been having a truly wonderful time at King Edward PS. The staff is really supportive, the students are (mostly) really eager to learn, the sun has been shining!

Having the oppportunity to do the same programming over and over within a short period of time (i.e. 13 ‘intro to improv’ sessions in four days) gives me a real-time opportunity to keep modifying my program, to find new phrases and orders of activities that work best, to see what is really important and what’s extraneous to the programming. I’ve also discovered some new things, too, which I’ve had the opportunity to try out with a couple of different classes each. Really exciting and rewarding!

So far the senior students have all the tools they need to start putting together their own character for our long-form performances. The junior classes have been working on five elements of storytelling, and the story spine, and the primary groups have been working on creating characters and working together in role.

Operas in Good Hands

Yesterday at St. Mark Separate School in Mississsauga, I helped three operas get on their feet with fabulous lyrics too!

The Create-an-Opera Program has been running for years now and we’ve changed things up by introducing a through-sung requirement. As much as possible, all of the words in our newly created (from scratch) operas are sung, all of the action hinges on the music we’re using.

Over the past four weeks, I’ve been so impressed by the talent and hard work that I’ve seen from the three classes I’m working with. As for the other two classes at the school creating operas with a different director, I’m so excited to see what they come up with.

I’ve got two weeks away from this project, the schools will be visited by a designer to help with costume and set ideas, and a singer to help with their vocal projection and quality.  I’ll come back to work with them and our composer, Dean Burry, for one final prep session before our performance on May 11.

Prepping for King Edward

Tomorrow I start working at King Edward Jr. and Sr. PS in the Toronto District School Board. Hooray!!

We’ve planned an exciting 4-week residency during which I’ll be working with every single class in the school. That’s right, the primary grades, juniors, and all the seniors including those in the French Immersion, Extended French, and Gifted programs.

I stopped in at the school on Friday to touch base with the teachers I’ll be working with and am buzzing with ideas. So many of the teachers have prepped for my visit by incorporating my drama work deeply into their curriculum learning.

Here are some examples of class-specific goals:

One group of students will be working to create historically accurate characters from the time of Canada’s Confederation, of  immigrants settling Upper and Lower Canada and the native populations they encountered.

One class will be putting on a play of their own later in the year so we’ll focus on storytelling skills and how to keep the plot-line clear while having fun with sharing the story on stage.

The youngest grades will be working with fairy tales to practice staying in role, telling a story from different points of view, and experimenting with flexible gender roles in casting.

Those in French Language curriculum classes will be able to take the fun improv games learned with me and use them as an outlet for practicing conversational and spur-of-the-moment French in a lighthearted, student-driven way.

All grades will be focusing on encouraging each other, building a culture of “yes energy”, accepting a variety of ideas, taking risks as a group, and cooperating with all members of the class.

I’m so pleased with the strong initiative that the administrative staff at King Edward has taken, valuing the arts as an important part of their classroom learning, providing in-class opportunities for teacher Professional Development, and having the foresight and planning to ask: “How can this program create a maximum impact on our school?”

The King Edward residency runs 4 days/week from April 12 through May 7, 2010 and will culminate in a small performance which will open for the school’s larger drama production, May 5, and 6th, 2010.

Penny Games


Flipper Flopper

Need: one penny for each pair

The Game:

Divide into partners. One partner is the Flipper, one is the Racer.
Racers line up at the starting line, Flippers at the finish line.
Flippers, as fast as they can, must flip their coin and report what comes up.
Heads – racer takes two steps forward
Tails – racer takes one step back
Racers must step heel-to-toe.
First racer to high-five his/her partner wins.

Variations:

- allow intervals of ‘big steps’ where racers are released from the heel-toe rule

Pinch my Penny

Need: a penny for each player

The Game:

stand facing your partner. Put your left hand behind your back and hold your right hand out, flat, in front of you with the penny in the palm of your hand.
Stand so that your hand is right beside your partners, facing your partner.
Rules: must start from open palms, must keep your left hand behind your back.
Try to steal your partner’s penny.

Writing Mystery Stories

The Four Seasons Centre for the Performing Arts Opera House

This week I started working on the 8-week Create an Opera program at St. Mark Catholic School in Mississauga. It’s fun! Through the Canadian Opera Company’s education programs, loads of classes have had the experience of making their own opera from idea to performance all in 8 weeks.

This particular session, all the groups I’m working with – three classes – started off wanting to write mystery stories for their operas. I thought I’d share these tips about how to get started writing a mystery – the groups found these really helpful for their starting off point.

The Mystery Machine

The crux of the Mystery Machine technique is that there are two layers to the story: First Layer is “The Crime”…the chronological story that actually happened (i.e. the way the crime actually happened from plan to implementation). Second Layer is “The Mystery” where new characters (detectives) are introduced.

First – create “The Crime”. A simple story outlining the events that the detectives will need to find out.

Then choose the three to five main elements of the original story and turn them into “Reveals” that your main character will discover in “The Mystery”.

Second – Come up with new characters (detectives) who are slowly going to discover what happened in the first story by discovering each Reveal in order; by the end of the new story, the detectives understand what happened in the first story.

Improvise or write each of the reveal moments – how the detectives discover each reveal.

Third – additional layers of character development can be added (i.e. the detectives gradually fall in love, the detectives get the information to pass their history test, etc). This can happen between “Reveals” in “Downtime” of the story.

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